"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on April 14, 1947 with Claudette Colbert reprising her film role.

"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on April 27, 1952 with David Niven reprising his film role.

François Truffaut has said that Miriam Hopkins was slated to star as Nicole de Loiselle.

Many people who are in studio records/casting call lists as cast members did not appear or were not identifiable in the movie. These were (with their character names): Tom Ricketts (Uncle Andre), James Dime (Prizefighter), Eugene Borden (Waiter on Stairs), Jean De Briac (Waiter in Corridor), Sheila Darcy (Maid), Alphonse Martell (Hotel Employee), Paul Gustine (Man in Steamship Office), Hooper Atchley (Excited Passenger), Ellen Drew (Secretary) and Henry Roquemore (Fat Man).

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Because of legal complications, this particular title was not included in the original television package and was not televised until many years later.



This film was based on a French play by Alfred Savoir that was translated into English by Charlton Andrews and produced on Broadway. The New York production opened on Sept. 19, 1921 at the Ritz Theatre and ran for 155 performances. It has previously been produced as a silent film starring Gloria Swanson, Bluebeard's Eighth Wife.

This film was the first collaboration of director Ernst Lubitsch with writers Charles Brackett and Billy Wilder. At their first production meeting, Ernst Lubitsch posed this question: How do the boy and girl get together? Billy Wilder promptly suggested that the opening scene should be in the men's shop of a department store. "The boy is trying to buy a pajama," he extemporized glibly, "but he sleeps only in the tops. He is thrifty so he insists on buying ONLY the tops. The clerk says he must buy the pants too. It looks like a catastrophe. Then the girl comes into the shop and buys the pants because she sleeps only in the pants." Ernst Lubitsch and Charles Brackett were enchanted with this idea. Months later, they discovered that Billy Wilder himself was a pajama tops-only sleeper and had been contemplating this idea for months, waiting for a chance to use it in a comedy.


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