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In his original review of the 1982 film musical, Roger Ebert offers qualified - and often rather faint - praise for Annie but says he doesn't know if kids will actually like the movie. Ebert doesn't find the story's heroine very compelling or believable, but it's noteworthy that all of the other chi read more

I often tell people that I love "weird movies," and Hundreds of Beavers (2022) is definitely one of the weirdest, wackiest, and most purely delightful movies I have seen in a long time. This festival darling from Mike Cheslik (writer and director) and Ryland Brickson Cole Tews (writer and star) puts read more

Director Joseph H. Lewis is best remembered today for his influential noir classic, Gun Crazy (1950), but he also brings great tension to My Name is Julia Ross (1945), an atmospheric thriller from Columbia Pictures that stars Nina Foch as the titular heroine. Despite its modern day setting, Julia's read more

Bette Davis won her second Academy Award for Best Actress for the Civil War melodrama, Jezebel (1938), which took advantage of the cultural mania over Gone with the Wind by using many of the same plot elements and beating the 1939 blockbuster to theaters. Like Gone with the Wind, Jezebel tells the s read more

Happy New Year! Here's hoping that 2024 brings you good moments and many great movies. It's time again to look back at the last year of my movie viewing and make the final tally of films watched. My classic movie choices for 2023 were heavily affected by the many great collections on the Criterion C read more

I decided to watch The Cheat (1931) knowing that other classic movie bloggers have found the picture merely mediocre, but with Huntsville native Tallulah Bankhead in the starring role I felt obligated to give it a try and see for myself. Sadly, this Pre-Code drama deserves the lukewarm reviews other read more

On paper, Universal's 1932 Murders in the Rue Morgue sounds terrific; it adapts a chilling story from Edgar Allan Poe, stars Bela Lugosi, and offers Expressionist cinematography by Karl Freund, complete with all the lurid sensibility that Pre-Code horror can provide. Unfortunately, the movie doesn't read more

Of all the films I have watched so far in the Criterion Channel's Gaslight Noir collection, Blanche Fury (1948) is the darkest, even though it's also the brightest thanks to its use of gorgeous Technicolor. This adaptation of the 1939 novel by Marjorie Bowen (under the pseudonym Joseph Shearing) emp read more

I really enjoy watching the Criterion Closet Picks videos where various actors and filmmakers get to choose movies to take home with them. Their selections reveal interesting details about their tastes and experience with film, although they do tend to favor certain genres, decades, and directors, p read more

While many of the Criterion Channel's featured categories highlight newer or international films, the lineup for September 2023 also includes one of my favorite classic sub-genres, "Gaslight Noir." If you love films like Gaslight (whether the 1940 or 1944 version), this is a collection sure to send read more

If Arsenic and Old Lace (1944) were a tragic drama instead of a screwball comedy, it might play out something like Ladies in Retirement (1941), in which a desperate young woman goes to extreme measures to protect her psychologically complicated sisters. We talk about insanity and mental health very read more

Although it's not on the same level as their later collaboration, The Lady Eve (1941), The Mad Miss Manton is still an amusing outing for stars Barbara Stanwyck and Henry Fonda. It's a goofy mix of romantic comedy and murder mystery, with Stanwyck leading a pack of socialite sleuths and Fonda fallin read more

 As I was walking from the Royal Shakespeare Company to Holy Trinity Church in Stratford-Upon-Avon, I came across this sweet little tribute to legendary actress Vivien Leigh. Best remembered today for Oscar winning film roles as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in read more

WARNING! This post contains major spoilers for THE DAMNED DON'T CRY and other classic noir films. Proceed at your own risk. When I showed The Damned Don't Cry (1950) to my lifetime learners as the final film of our Joan Crawford series, they were especially struck by the open ending of the story, wh read more

This post is part of the CMBA Spring Blogathon - Big Stars on the Small Screen: In Support of National Classic Movie Day. Check out all of the participating blogs and posts by visiting the Classic Movie Blog Association's post about the blogathon!Big Stars on the Small Screen: Classic Movie Guest St read more

The 1950s proved a challenging time in the movie industry as television became a full-fledged competitor for audience attention, and Frank Tashlin confronts the issue with satiric glee in his 1957 comedy, Will Success Spoil Rock Hunter?, which Tashlin wrote, directed, and produced with only the most read more

It's time to quit Twitter.I joined Twitter over a decade ago to connect with classic movie fans, writers, fellow LEGO enthusiasts, and other people who shared some of my eclectic interests. It was, for many years, a satisfying experience that introduced me to films, books, and people I would not oth read more

Once considered lost, The Queen of Spades (1949) is an example of buried cinematic treasure that was luckily rediscovered so that we can enjoy it again today, an ironic twist since it's a tale about the fickle turns of Fortune's wheel. The plot comes from a short story of the same name by Alexander read more

Warning: This review contains spoilers for The Suspect (1944). Director Robert Siodmak weaves Victorian sensibility with noir energy in the justifiable homicide story of The Suspect (1944), which sees a mild-mannered Charles Laughton driven to murder by his extremely disagreeable wife. It's an unusu read more

Long before The Twilight Zone came the 1945 British anthology film, Dead of Night, which weaves together a collection of eerie tales within a framework that gathers a small group of people in an English country house. While it's not exactly a horror movie, it does offer plenty of weird and even dist read more