What Ever Happened to Orson Welles – Book Giveaway (Jan)

“What Ever Happened to Orson Welles?: A Portrait of an Independent Career”
We have Four Books to Giveaway this Month!

CMH is happy to announce our first 2022 Classic Movie Book Giveaway as part of our partnership with University Press of Kentucky! This time, we’ll be giving away FOUR COPIES of What Ever Happened to Orson Welles?: A Portrait of an Independent Career by Joseph McBride.

In order to qualify to win this book via this contest giveaway, you must complete the below entry task by Saturday, Jan 29, 2022 at 6PM EST. Winners will be chosen via random drawings.


We will announce our four lucky winners on Twitter @ClassicMovieHub on Sunday, Jan 30, around 9PM EST. And, please note that you don’t have to have a Twitter account to enter; just see below for the details.

To recap, there will be FOUR WINNERS, chosen by random, all to be announced on Jan 30.


Orson Welles, Victor Millan, Joseph Calleia and Charlton Heston in Touch of Evil (1958)
Orson Welles, Victor Millan, Joseph Calleia and Charlton Heston in Touch of Evil (1958)

And now on to the contest!

ENTRY TASK (2-parts) to be completed by Saturday, January 29, 2022 at 6PM EST

1) Answer the below question via the comment section at the bottom of this blog post

2) Then TWEET (not DM) the following message*:
Just entered to win the “What Ever Happened to Orson Welles?: A Portrait of an Independent Career” #BookGiveaway courtesy of @KentuckyPress & @ClassicMovieHub – #EnterToWin here http://www.classicmoviehub.com/blog/what-ever-happened-to-orson-welles-book-giveaway-jan/

What is your favorite Orson Welles film and why? And, if you’re not familiar with his work, why do you want to win this book?

*If you do not have a Twitter account, you can still enter the contest by simply answering the above question via the comment section at the bottom of this blog — BUT PLEASE ENSURE THAT YOU ADD THIS VERBIAGE TO YOUR ANSWER: I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.

NOTE: if for any reason you encounter a problem commenting here on this blog, please feel free to tweet or DM us, or send an email to clas@gmail.com and we will be happy to create the entry for you.

ALSO: Please allow us 48 hours to approve your comments. Sorry about that, but we are being overwhelmed with spam, and must sort through 100s of comments…


Don’t forget to check our chats in our Screen Classics Discussion Series with University Press of Kentucky and @CitizenScreen. You can catch them on Facebook and YouTube:

Jayne Mansfield: The Girl Couldn’t Help It — with Author Eve Golden


Vitagraph: America’s First Great Motion Picture Studio – with Author Andrew Erish:


Jane Russell and the Marketing of a Hollywood Legend – with Author Christina Rice:


Growing Up Hollywood with Victoria Riskin and William Wellman Jr:


About the Book: In this intimate and often surprising personal portrait, Joseph McBride challenges the conventional wisdom that Welles’s career after CitizenKane, widely regarded as the greatest film ever made, fell into a long decline. The author shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles’s artistically rich yet widely misunderstood later period in the United States (1970–1985), when McBride knew the director and worked with him as an actor on The Other Side of the Wind, Welles’s personal testament on filmmaking. To put Welles’s later years into context, the author reexamines the filmmaker’s entire life and career. This newly updated edition rounds out the story with a final chapter analyzing The Other Side of the Wind, finally completed in 2018, and his rediscovered 1938 film, Too Much Johnson.McBride offers many fresh insights into the collapse of Welles’s Hollywood career in the 1940s, his subsequent political blacklisting, and his long period of European exile. What Ever Happened to Orson Welles? serves as a major reinterpretation of Welles’s life and work. McBride’s revealing portrait changes the framework for how Orson Welles is understood as a man, an actor, a political figure, and a filmmaker.

Click here for the full contest rules. 

Please note that only United States (excluding the territory of Puerto Rico) and Canada entrants are eligible.

Good Luck!

And if you can’t wait to win the book, you can purchase it on amazon by clicking below:


–Annmarie Gatti for Classic Movie Hub

This entry was posted in Books, Contests & Giveaways, Posts by Annmarie Gatti and tagged , , . Bookmark the permalink.

22 Responses to What Ever Happened to Orson Welles – Book Giveaway (Jan)

  1. Gloria Elizabeth says:

    I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.
    CHIMES AT MIDNIGHT is my favorite Welles’ film. THE LADY FROM SHANGHAI is a close second but it is Falstaff who breaks my heart.

  2. Jack Cibrian says:

    Well, I’ll need to go with the obvious answer of Citizen Kane. It’s the first film I teach to my high school students every September (with a couple of Touch of Evil clips and the Welles scene in Ed Wood). I’ve always been a fan of Kane. Besides all of the incredible creativity in the cinematography, lighting, set design, etc., I love the themes that run throughout, the idea that we can never truly know a person, that a person can’t be defined by a simple word, that what we have left when people are gone are their objects and our memories. A brilliant film, firing on all cylinders.

  3. arlene herring says:

    The Magnificent Ambersons. First time I watched I had no idea the studios had edited it down, angering so many people. I went to a bookstore and searched for the Booth Tarkington novel, had to order a university copy back then. I love the story, the family dynamics, the journey through history, how technology affected the family, the silver camera work, the music. And the cast! Dolores Costello, Agnes Moorehead, Joseph Cotten. Still love it, streamed last month on the Criterion Channel.

  4. Heather Redd says:

    My favorite Orson Welles film is actually the very first one I saw him star in as a child, and that was 1943’s Jane Eyre.

    His performance in that film captivated me and led me to seeing more of his works, including his radio adaptation of War of the Worlds, but seeing him in Jane Eyre really left an impression on me as a child and still does to this day as an adult.

    The scene at the end where he is blind and holding Jane’s face, and is so happy she’s there with him again, moved me to tears even as a kid.

    I really wish we had that level of acting and audience connection in today’s films.

    -Twitter username: @wishisabish

  5. M.T. Fisher says:

    Touch of Evil. It’s the greatest film noir out there. Magnificent cast, and the cinematography is beyond superb.

    I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.

    • Christopher Hawkins says:

      My favorite Orson Welles movie is Chinese at Midnight.
      I love the translation of Shakespeare into this wild and versatile film and how well suited Orson Welles is to play the character of Falstaff. I also really appreciate the creative and inventive camera angels and how engrossing the story and characters which all lead up to the very mournful ending.
      I have read other books about Orson Welles but I’ve always been curious about what he did after his success and then rejection from Hollywood and his life as the “first independent director.”

      I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.

  6. Kayla Ewing says:

    I love The Magnificent Ambersons—RKO hack job and all. The cinematography is superb and my heart just aches for poor Aunt Fanny. Agnes Moorehead deserved an Oscar. Tim Holt delivers a fabulous performance as a completely deplorable character. I also loved Joseph Cotten and Anne Baxter. I really hope that filmmaker Joshua Grossberg’s mission to find Orson Welles’ rumored final cut in Brazil is successful and we’ll be seeing Welles’ true vision on TCM for the film’s 80th anniversary this summer.

  7. Vickie L Gleason says:

    My favorite movie with Orson Welles is The Long Hot Summer. I love the entire cast and I think his performance as the Patriarch of the family is fabulous!

    I’m not as familiar with some of his older works other than Citizen Kane so would love to learn more about him.

  8. Carl says:

    I love Citizen Kane. Every time I watch it I see new things that I’ve never seen before. It’s the film that keeps on giving :^) Thanks!

  9. Jason S says:

    Citizen Kane. It is the film of his I saw first and the one that I have seen most often. It never gets old and reveals new things that I haven’t seen before in previous viewings. Always a treat to rewatch this classic.

  10. Jessica says:

    : I do not have a Twitter account, so I am posting here to enter but cannot tweet the message.

    Lady from Shanghai!

  11. Tony Wheeler says:

    The Chimes at Midnight is my favorite film, The Lives of Harry Lime is my favorite radio performance.

    His interpretation of falstaff is as wonderful as Shakespeare could have hoped, and embodies the man in his later years. The Lives of Harry Lime is fun and silly, and full of ridiculous adventure. Welles sounds like he’s having a good time mucking about as a different version of the character.

    Twitter: @thesmallharvey

  12. Susan Schreiner says:

    The absolute best villain portrayal was Orson Welles in The Third Man. His performance was superb as the arrogant, self-absorbed criminal Lime.

  13. Billy Slobin says:

    My favorite Orson Welles film is Citizen Kane (The Charlie Kane dance is one of the best scenes in film history) The fact that he did all that at age 25!!!!!!!
    The Lady from Shanghai is a very close second—I love virtually all of his work.
    His radio work is so amazing as well. I listen to The War of The Worlds every October and many other radio shows as well.
    I would just devour this book!

  14. Jean Feingold says:

    The Third Man because of the unlikeliness of the story.

  15. Greg Hatfield says:

    My favorite OW film is Othello. His location filming and cast are perfect. Macliammoir’s Iago may be perfect.

  16. Christina Sharpe says:

    Citizen Kane is without a doubt a complete masterpiece, but his entrance in The Third Man is out of this world. The build up is incredible. The chemistry between Orson Welles and Joseph Cotten is extraordinary. The Third Man is one of the greatest boots ever made.

  17. Paul Johnson says:

    My favorite is Citizen Kane, a movie I find endlessly rewatchable and rejuvenating. My twitter handle is @Cinedaze.

  18. Tam May says:

    There are so many favorites but the one I’m going to choose is The Long, Hot Summer from 1958. It’s Tennessee Williams, so you know there’s a lot of dysfunctional family elements there and Welles as the overbearing Southern Patriarch is perfect. I love how you can see he almost enjoys it when Paul Newman and Joanne Woodward spar with him. And the chemistry between him and Angela Lansbury is so awesome and has a lot of humor. He’s a tyrant, but not one you can despise.

    Thanks for the opportunity to enter!

  19. Destiny Drake says:

    My favorite film of mr orson welles is: the third man, such a great performance in the film.

  20. Glenn Middleton says:

    It has to be The V.I.P’s, an all star cast and he stood out.

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