Tag Archives: Pre-Code

Pre-Code Corner: Baby Face (1933) – Ten Steps to Perfectly Pre-Code

Pre-Code Corner: Baby Face (1933) Ten Steps to Perfectly Pre-Code In the era of Pre-Codes, there are a few films that stand out. When I think of Pre-Code films, sometimes it’s the violent nature, or perhaps a few nods to … Continue reading

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Pre-Code Corner: Scarface – An Anti-Gangster Picture?

Pre-Code Corner: Scarface – An Anti-Gangster Picture? When I set out to research Scarface (1932) in the Academy’s Production Code Administration (PCA) files, I was met with an overwhelming amount of material; so much so that it took me five … Continue reading

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Pre-Code Corner: Man Wanted – Experience Necessary

Pre-Code Corner: Man Wanted – Experience Necessary “Can’t you get it through your fat head that today there’s just as many serious-minded women in business as men. When you meet them you don’t have to treat them as if you … Continue reading

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Pre-Code Corner: Outward Bound – High Class on the High Seas

Pre-Code Corner: Outward Bound: High Class on the High Seas “A helluva good picture about heaven!” a September 1930 Variety ad boisterously proclaimed of Outward Bound. Leave it to Warner Brothers to make a surpassingly ethereal, sophisticated picture… and then … Continue reading

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Pre-Code Corner: So You Want to be a Nurse – Tricks of the Trade, Pre-Code Style

So You Want to be a Nurse: Tricks of the Trade, Pre-Code Style You know how it goes: You score a new job you’re stoked for and arrive day one full of positivity, high hopes, good cheer, and ambition. And … Continue reading

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Pre-Code Corner: “I Didn’t Know You With All Your Clothes On” – The Best of Pre-Code Warren William

“I Didn’t Know You With All Your Clothes On”: The Best of Pre-Code Warren William Warren William is so entrenched with the pre-Code period in my mind that it’s not surprising to learn that, aside from two appearances credited as Warren … Continue reading

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Pre-Code Corner: The Puzzling Case of Phyllis Barry

The Puzzling Case of Phyllis Barry In March 1933, Film Weekly reported on Samuel Goldwyn‘s newest discovery, Phyllis Barry, the British newcomer who “achieves the next best thing to actual stardom (a leading ladyship to Ronald Colman)” in Cynara (1932). … Continue reading

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