Category Archives: Posts by Danilo Castro

Film Noir Review: Sorry, Wrong Number (1948)

  “Operator, I’ve been ringing Murray Hill 35097 for the last half hour and the line is always busy.” While the film noir continues to thrive in the modern day, a stylistic shoot-off, the melodramatic noir, remains frozen in the … Continue reading

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Film Noir Review: Journey into Fear (1943)

“Oh, by the way, have you a gun in your luggage?” The public’s fascination with Orson Welles continues to grow over the years, much like the man’s waistline in his older age. This is partly by design (the fascination, not … Continue reading

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Film Noir Review: 10 Classic Films Noir for the Holidays

10 Classic Films Noir for the Holidays For many (myself included), the holidays are the happiest time of the year. It’s hard to match the euphoric feeling of being with loved ones, exchanging gifts, and doing so to the tune … Continue reading

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Film Noir Review: 10 Classic Film Noir-Horror Crossovers

10 Classic Film Noir-Horror Crossovers Horror and film noir have always been kindred spirits. The bleakest of movie genres, they’ve spent decades exploring the dirty crevices of humanity and projecting their findings on the big screen. They have their cosmetic … Continue reading

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Film Noir Review: He Walked by Night (1948)

“Police work is not all glamour and excitement and glory. There are days and days of routine, of tedious probing, of tireless searching.” Rarely have a director and cinematographer worked as succinctly as Anthony Mann and John Alton. During the … Continue reading

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Film Noir Review: The Sniper (1952)

“Stop me — Find me and stop me. I’m going to do it again.” By 1951, filmmaker Edward Dmytryk was persona non grata in Hollywood. Blacklisted as one of the Hollywood Ten in 1947, the Oscar nominee was jailed for … Continue reading

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Film Noir Review : The Hoodlum (1951)

“You cheap hood. Always looking for a fall guy and never realizing you’re it.” Most films noir have a flicker of hope in them; a dangling carrot for characters to chase despite their seemingly impossible odds. Without it, they’d be … Continue reading

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Film Noir Review: Harper (1966)

“Hey, this detective work is really fun!” Ross Macdonald occupies an odd space in the world of film noir. He started out as an expert hack with The Moving Target (1949), a novel that borrowed heavily from the pulp authors … Continue reading

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Film Noir Review: Dark City (1950)

“Guys like you seldom get arrested. You get killed first.” Dark City is an interesting addition to 1950s film noir. It stands out for a couple of reasons: firstly, it combines horror and noir elements in ways that were uncommon for … Continue reading

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Film Noir Review: The Bribe (1949)

“I never knew a crooked road could look so straight.” In his 1998 book Dark City, Eddie Muller coined the term “Steinbeck Noir” to describe the film Thieves’ Highway (1949). In referencing the Southern California backdrop of many of John Steinbeck’s stories, … Continue reading

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