By Movie StarAlfred HitchcockAudrey HepburnAva GardnerBarbara StanwyckBasil RathboneBette DavisBilly WilderBob HopeBoris KarloffBurt LancasterBuster KeatonCarole LombardCary GrantCharlie ChaplinClara BowClark GableClaudette ColbertDana AndrewsDeanna DurbinDebbie ReynoldsDoris DayEleanor ParkerElizabeth TaylorErnst LubitschErrol FlynnEsther WilliamsFranchot ToneFred AstaireFred MacMurrayGary CooperGene KellyGinger RogersGloria SwansonGrace KellyGreer GarsonGregory PeckGreta GarboHarold LloydHedy LamarrHenry FondaHoward HawksHumphrey BogartIda LupinoIngrid BergmanIrene DunneJack BennyJack LemmonJames CagneyJames StewartJane RussellJean ArthurJean HarlowJeanette MacDonaldJeanne CrainJoan CrawfordJoan FontaineJohn FordJohn WayneJudy GarlandKatharine HepburnKay FrancisKirk DouglasLana TurnerLauren BacallLillian GishLon ChaneyLoretta YoungLouise BrooksMae WestMarilyn MonroeMarion DaviesMarlene DietrichMary AstorMary PickfordMickey RooneyMiriam HopkinsMyrna LoyNatalie WoodNorma ShearerOlivia de HavillandOrson WellesPaul NewmanPaulette GoddardPreston SturgesRichard WidmarkRita HayworthRobert MitchumRudolph ValentinoShirley TempleSidney PoitierSpencer TracySteve McQueenTeresa WrightTyrone PowerVincent PriceVivien LeighWilliam HoldenWilliam PowellWilliam WylerWoody Allen By HolidayNew Year's DayPresident's DayValentine's DayEasterMother's DayFather's DayMemorial DayJuly 4thLabor DayColumbus DayHalloweenThanksgivingChristmasBlack History MonthWomen's History Month All Blogs4 Star Films (3439)50 Most Influential Disney Animators (58)A Person in the Dark (360)All Good Things (815)Backlots (410)Caf? Muscato (572)Caftan Woman (904)Carole & Co. (3081)Cary Grant Won't Eat You (477)Christy Putnam (76)Cinema Crossroads (42)Cinematic Catharsis (851)Cinematically Insane (268)CineMaven's Essays from the Couch (152)Classic Cinema Gold (319)Classic Film & TV Cafe (1235)Classic Film Freak (367)Classic Film Review (14)Classic Horror Campaign (257)Classic Movie Hub Blog (1821)Classic Movie Man (874)Classic Movies (3247)Classic Reel Girl (95)Comet Over Hollywood (1230)Creme de la Creme (31)Criterion Blues (770)Critica Retro (1392)Curtains (58)Durnmoose Movie Musings (1105)Film Reviews and Anything Else I Get Inspired by (5)Finding Franchot: Exploring the Life and Career of Franchot Tone (161)Flickers in Time (2195)GlamAmor (585)Hitchcock Master (128)Hollywood Revue (532)Hometowns to Hollywood (699)How Sweet It Was (86)In The Good Old Days Of Classic Hollywood (154)Journeys in Classic Film (1765)Lady Eve's Reel Life (731)Le Mot du Cinephiliaque (945)Love Letters to Old Hollywood (150)MacGuffin Movies (362)Margaret Perry (165)Mildred's Fatburgers (201)Movie Classics (287)Movies Silently (1029)Noir and Chick Flicks (1998)Noirish (1273)Old Hollywood Films (651)Once Upon a Screen (420)Out of the Past - A Classic Film Blog (2142)Outspoken and Freckled (140)Phantom Empires (60)Please Go Away: A Katharine Hepburn Blog (456)Pop Culture ImagineMDD (103)Pretty Clever Films (1413)Reel Distracted (20)ScribeHard on Film (162)Serendipitous Anachronisms (82)Shadows and Satin (827)Silver Scenes - A Blog for Classic Film Lovers (1796)Smitten Kitten Vintage (48)Smum County (115)Stardust and Shadows (120)Studies in Cinema (118)Sunset Blvd (39)The Baz (155)The Best Picture Project (905)The Blonde At The Film (319)The Bogie Film Blog (147)The Cinema Dilettante (110)The Giddy Blog (152)The Great Katharine Hepburn (240)The Hitless Wonder Movie Blog (1565)The Jeanette MacDonald Blog (94)The Man on the Flying Trapeze (643)The Motion Pictures (791)The Movie Rat (746)The Old Hollywood Garden (424)The Stop Button (3203)The Timothy Carey Experience (1181)The Vintage Cameo (134)The Wonderful World of Cinema (563)Timeless Hollywood (73)True Classics (573)Virtual Virago (1611)Where Danger Lives (136)Wolffianclassicmoviesdigest (631)

Vivacious Lady strengths easily outweigh its weaknesses, but those weaknesses have a way of compounding on each other as the film moves to its conclusion. The most obvious–and usually forgiveable–problem is how the film can’t decide what to do with Ginger Rogers, the Vivacious Lady. Not the film, read more

Giant has a fairly good pace for running three hours and twenty minutes. Even more so considering almost the entire second act is told in summary, with stars Elizabeth Taylor, Rock Hudson, and James Dean gradually getting more and more old age makeup. At his “oldest,” Hudson has a bulk harness, read more

Still of the Night is supreme melodrama. I mean, in its first ten minutes, the film manages to establish a small English town’s hospital, introduce stoic nurse Carole Lombard and her flighty sister Anne Shirley, throw them into tragedy and crisis, and kick Lombard into an entirely new setting. Stil read more

The More the Merrier is a wondrous mix of comedy (both slapstick and screwball) and dramatic, war-time romance. Director Stevens is expert at both–that war-time romance angle is as gentle as can be, with Stevens relying heavily on leads Jean Arthur and Joel McCrea to be able to toggle between read more

One of the great, if often unheralded American directors, it is astounding when you look at the breadth of George Stevens work. His catalogue of films rivals those of the other American greats such as John Ford, Howard Hawks, Frank Capra, and William Wyler. His films also evolved over time as he cha read more

One of the great, if often unheralded American directors, it is astounding when you look at the breadth of George Stevens work. His catalogue of films rivals those of the other American greats such as John Ford, Howard Hawks, Frank Capra, and William Wyler. His films also evolved over time as he cha read more

Originally posted on Classic Film Aficionados: George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short- read more

Classic Film Aficionados Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and n read more

Classic Film Aficionados Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and n read more

George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and not a few t read more

George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and not a few t read more

George Stevens Too many great films to make mention of here but I will say that one after another, Stevens delivered a movie-experience to the viewer that few directors have provided. More than 60 credits as cinematographer (this work was done on short-films, mostly in the silent era and not a few t read more