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This month, we're focusing on quotes from Billy Wilder films. We will list a quote from a movie co-written by Wilder and ask you to name it. Try to answer these questions on your own without resorting to Google searches. As always, please answer no more than three questions per day so others ca read more

Once in a while, the wonderful world of cinema creates matches made in Heaven (or wherever) when considering working collaborations between people in the film industry. We can think of actors and or/actresses who collaborated on many occasions due to their obvious chemistry, their power to make us l read more

What A Foreign Affair offers is a curious mix of Billy Wilder’s brand of gleeful satire with docudrama. In this regard, it stands alongside the likes of The Search (1948) as one of the earliest American films to explore the world of post-war Europe with so much rebuilding to do both physicall read more

Goldie Hawn as Toni. I.A.L. Diamond co-wrote some pretty amazing screenplays--his work includes The Apartment and Some Like It Hot. Of course, his writing partner on those films was a guy named Billy Wilder. Mr. Diamond also occasionally branched out on his own. That was the case with the 1969 read more

Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more

Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more

Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more

Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Through read more

The Apartment does whatever it can to remain a dramatic comedy when it shouldn’t be anymore. And sort of isn’t. When the film shifts into real drama, there’s no going back. Director Wilder gets it too. The film has a good comedy opening, a breathtaking dramatic middle, and a decent comedy end. read more

Fred McMurray, Billy Wilder e a luxúria / Fred McMurray, Billy Wilder and lust Quer você queira ou não, um ator ou atriz desenvolve uma persona – especialmente nos dias do sistema de estúdio – para ser facilmente reconhecido pelo público e também para que o estúdio o utilize read more

The third act of Sunset Boulevard just gets darker and darker. The film digs down into one level, then finds another, then another, then maybe even another. Director Wilder and co-writers Charles Brackett and D.M. Marshman Jr. find a way to fully condemn the film’s setting–Hollywood, with Paramount read more

Double Indemnity is mostly a character study. There’s the noir framing device–wounded insurance salesman Fred MacMurray stumbling into his office and recording his confession on a dictaphone. Turns out he met a woman and things didn’t work out. MacMurray narrates the entire film. Occasionally read more

Billy Wilder and "friends." 1. Billy Wilder only directed 26 feature-length films and three of those were released in 1957 (The Spirit of St. Louis, Love in the Afternoon, and Witness for the Prosecution). In contrast, Alfred Hitchcock directed over 50 movies. 2. He was one of the first "scri read more

Billy Wilder and "friends." 1. Billy Wilder only directed 26 feature-length films and three of those were released in 1957 (The Spirit of St. Louis, Love in the Afternoon, and Witness for the Prosecution). In contrast, Alfred Hitchcock directed over 50 movies. 2. He was one of the first "scri read more

Warning! Spoilers ahead. There I was, blissfully enjoying “Café Society,” Woody Allen’s latest film, on its own merits. The setting of Hollywood in the golden 1930s was a home run for me and the characters and plot were pure Woody – whose work I always enjoy. So, imagi read more

Happy Birthday Billy Wilder! On June 22, 2016 By CarolIn Uncategorized Happy Birthday to the only and only Mr Billy Wilder! The greatest writer-director of all time. Thank you for everything!❤ Share this:TwitterFaceboo read more

Today, on June 22 2015, Billy Wilder would have been 109 years old! He was one of the most talented movie directors and movie writers of the 20th century or, may I say, of all times! I never saw a Billy Wilder’s film that I didn’t like. Some Like it Hot is my favourite movie of all times read more

2nd Annual Billy Wilder Blogathon: The Private Life of Sherlock Holmes (1970) 22 Monday Jun 2015 Posted by Summer Reeves in 1970s, Blogathon, Comedy, Mystery, Romance ≈ 12 Comments Tags1970s, Andrew Sarris, Auteur Theory, B read more

I’ve only just heard about this. Click on the poster for more! Great filmmaker One of the greatest American film makers of all-time! A little SUNSET BOULEVARD, ACE IN THE HOLE or DOUBLE INDEMNITY anyone? :) Thanks for dropping by, Sam. It was a great blogathon! Fill in your details below or read more

“I AM big. It’s the pictures that got small.” Sunset Boulevard (1950), which focuses on aging silent film star Norma Desmond (Gloria Swanson), is fairly jam-packed with fascinating couples. There’s Norma and the young, down-on-his-luck writer, Joe Gillis (William Holden), who stumbles into her read more