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John Alton : Classic Movie Hub (CMH)
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John Alton Overview:

Director, John Alton, was born Johann Altmann on Oct 5, 1901 in Sopron, Austria-Hungary (now Hungary). Alton died at the age of 94 on Jun 2, 1996 in Santa Monica, CA .

HONORS and AWARDS:

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John Alton was nominated for one Academy Award, winning for Best Cinematography for An American in Paris in 1951.

Academy Awards

YearAwardFilm nameRoleResult
1951Best CinematographyAn American in Paris (1951)N/AWon
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BlogHub Articles:

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Best Cinematography Oscar 1951








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John Alton Facts
In 1960, following his work on Elmer Gantry (1960), he quit the movie business. He returned briefly in 1966 to direct photography for the pilot episode of the TV series "Mission: Impossible" (1966). Afterwards, he virtually disappeared. For years, even his closest friends did not know his whereabouts. In 1984, his work was honored at the Telluride Film Festival in Colorado, with a tribute entitled, "Where is John Alton?" In 1993, at the age of 92, Alton heard about Visions of Light (1992), a documentary about cinematographers that included some of his movie work. He contacted the film's producer, Todd McCarthy, and asked to attend the premiere. McCarthy, who had hoped to include an interview with Alton in the film, was astonished to hear from him. Afterwards, Alton insisted that there was nothing mysterious in his disappearance, that he and his wife had simply decided to give up the movie business and travel a bit. They had lived in France, Germany, and Argentina, and had a great time. He died in 1996 at the age of 95.

He became one of the most controversial cinematographers during the 1940s and 1950s in Hollywood, causing all of the MGM cinematographers to file a complaint with studio head Dore Schary and MGM exec E.J. Mannix and the AMPAS regarding his contribution to An American in Paris (1951). The charges were refuted by the film's director Vincente Minnelli and star 'Gene Kelly (I)' . Alton further incited the wrath of American cinematographers by charging that the use of light beds above the sets was not only unnatural but forced cinematographers to work more slowly. He was a brilliant iconoclast who was forced to work on low-budget features because of his flamboyant behavior, which was considered outside of the norm for a very flamboyant Hollywood.

He was replaced after two weeks of shooting Birdman of Alcatraz (1962)) by Burnett Guffey.

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